Wednesday 13 August 2014

Michael Lewis’s Flash Boys: Once Upon a Time on Wall Street



 The seductive appeal of Michael Lewis’s book about high-frequency trading on Wall Street – and the group of guys that got together to investigate and make the system fairer – is not merely the promise of learning more about the financial system and getting angry at how screwed up and misaligned the incentives are, although you will do that.


Obviously Lewis’s writing is a major part of it – the elegant effortless surface only partially concealing the structural and research muscle underneath, so that I am put in mind of a sleek but powerful mammal, an otter perhaps, or a mongoose.



Others have written very good reviews of the book as a whole (I’m a fan of John Lanchester’s, for instance). But what I want to talk about here is the structure, the narrative arc. I know that teaching people about the system, its problems and potential solutions is important for Lewis because that’s what he talks about in multiple interviews – and because anyone with any sense of justice or fairness should be outraged and want to know more about how the system has been rigged. 
But putting that complex explanation into a form that is not just simply expressed but has forward narrative momentum – that’s important too, or no matter how good the writing is people won’t keep reading. It came to me in a revelatory flash 12 hours after finishing the book (at 4am, I’m hoping this is one of those ideas that survives post-insomnia) that what Lewis has produced here – the sugary flesh helping us to swallow the hard seed of an idea that he wants to spread - is an aspirational fantasy as powerful (and as fictional in its way) as any 'Twilight' or '50 Shades'. The fantasy, though, is targeted not at romance-seekers but at disillusioned white-collar workers.




Monday 11 August 2014

Book Review: Unspeakable Things by Laurie Penny


Laurie Penny’s Unspeakable Things: Sex, Lies and Revolution is a thoughtful, inspiring and revolutionary book and I would recommend it to anybody even the slightest bit open to the idea that society’s structure maybe needs changing a bit.



In a fiery, urgent style that makes it sound like she’s furiously getting her reasoning down so everyone can just read it and stop bothering her with the same old objections already, Penny lays out the need for activism (not necessarily feminism) because of the problems with the status quo – problems of sex, gender, and love that hurt women and “outsiders” like the queer community or those (including many men) excluded from mainstream society due to poverty or ethnicity.